{"id":907,"date":"2023-09-08T16:50:43","date_gmt":"2023-09-08T16:50:43","guid":{"rendered":"https:\/\/www.yasamsanat.net\/?p=907"},"modified":"2023-09-28T12:22:19","modified_gmt":"2023-09-28T12:22:19","slug":"hasan-huseyin-gunduzalp-kitaplari-uzerine-bir-inceleme","status":"publish","type":"post","link":"https:\/\/www.yasamsanat.net\/?p=907","title":{"rendered":"Hasan H\u00fcseyin G\u00fcnd\u00fczalp Kitaplar\u0131 \u00dczerine Bir \u0130nceleme"},"content":{"rendered":"\n

\u201cKi belki
Ne mutluluk, ne \u00f6zg\u00fcrl\u00fck, ne sevi
Bir rivayetten ibaret hepsi\u2026\u201d<\/p>\n\n\n\n

\u201cKi Belki\u201d; tekni\u011fi, dili, kurgusu, i\u00e7eri\u011fi ve g\u00fczelli\u011fi ile yepyeni bir \u015fiir. \u00c7ok i\u015flenmi\u015f, \u00e7ok \u00fczerinde durulmu\u015f, Mallarm\u00e9\u2019in yapt\u0131\u011f\u0131 gibi, b\u00fct\u00fcn fazlal\u0131klar, y\u00fckler at\u0131lm\u0131\u015f, l\u00fczumsuzluklar kald\u0131r\u0131lm\u0131\u015f, m\u00fckemmelle\u015ftirilmi\u015f bir eser. Derin k\u00f6klerden \u00e7\u0131k\u0131p gelen, yeni kavram ve d\u00fc\u015f\u00fcncelerle donanm\u0131\u015f, yer yer de delirtilmi\u015f ve yeni katmanlar
getiren yepyeni bir dil.<\/p>\n\n\n\n

Kelime oyunlar\u0131, arka arkaya, bol i\u00e7 uyumlar ve geleneksel tekrarlarla, kula\u011fa ho\u015f gelen oyunlarm\u0131\u015f gibi g\u00f6r\u00fcl\u00fcrken, duyuldu\u011funda ba\u015fka ba\u015fka anlamlara gelebilen ayn\u0131 seste s\u00f6zc\u00fckler\u2026<\/p>\n\n\n\n

Biraz duraklay\u0131nca, o oyunlar\u0131n arkas\u0131nda derin felsefi kavramlar\u0131n, psikolojik durumlar\u0131n, yeni d\u00fcnya g\u00f6r\u00fc\u015flerinin yatt\u0131\u011f\u0131n\u0131 sezinlemeye ba\u015fl\u0131yor insan. Ya o, arka arkaya gelen s\u00fcrprizler! \u0130nsan beyni durmadan sars\u0131l\u0131yor. Ondan dolay\u0131 Hasan H\u00fcseyin, dili hi\u00e7 s\u00fcr\u00e7meden, h\u0131zla, \u015fiirlerini okuyunca kula\u011fa g\u00fczel bir m\u00fczikmi\u015f gibi geliyor ama i\u00e7eri\u011findeki, insan zek\u00e2s\u0131n\u0131n \u00e7al\u0131\u015fmas\u0131n\u0131 gerektiren anlam ve kavramlar, h\u0131zland\u0131r\u0131lm\u0131\u015f bir film gibi gelip ge\u00e7iyor ve onlar\u0131 ancak Hasan H\u00fcseyin anl\u0131yor.<\/p>\n\n\n\n

Oysa Hasan H\u00fcseyin \u015fiir yazm\u0131yor, s\u00f6zc\u00fcklerle \u015fiir yap\u0131yor, bir heykelt\u0131ra\u015f gibi. Onun \u015fiirindeki yeni dil, \u015fiirin i\u00e7eri\u011fini gizlemek ve g\u00fczel renklerin arkas\u0131na saklamak i\u00e7in bir gere\u00e7. O i\u00e7eri\u011fi kavrayabilmek i\u00e7in, \u015fiiri dinleyen insan beyninin belli bir uzunlukta zamana ihtiyac\u0131 var. Hasan H\u00fcseyin\u2019in \u015fiirini okuyunca dili kula\u011f\u0131 ok\u015fuyor ama ancak tekrar tekrar okuyarak ve g\u00f6z ile \u00fcst\u00fcnde duraklayarak anla\u015f\u0131l\u0131yor o \u015fiirlerin s\u00f6zc\u00fcklerinde sakl\u0131 i\u00e7erik. \u0130\u015fte Hasan H\u00fcseyin’in poetikas\u0131n\u0131n ana kilidi burada as\u0131l\u0131. Ak\u0131l, zek\u00e2 ve d\u00fc\u015f\u00fcnce! Yani kafa!<\/p>\n\n\n\n

Ayr\u0131ca, sanatk\u00e2rlar, di\u011fer b\u00fct\u00fcn insanlar gibi her zaman kendi derinliklerinde yatan gizli k\u00f6\u015feleri ve onlar\u0131n sebeplerini a\u00e7\u0131\u011fa vurmazlar, onlar\u0131 mezara g\u00f6t\u00fcr\u00fcrler. Kendisine \u201cLan Hasan\u201d diyen Hasan\u2019\u0131n i\u00e7indeki Hasan H\u00fcseyin, bu gen\u00e7 ya\u015fta yenilgiyi kabul etmektense \u00e7areyi, rak\u0131n\u0131n estirdi\u011fi ger\u00e7ek\u00fcst\u00fc r\u00fczg\u00e2rlar i\u00e7inde, tiksindi\u011fi bu g\u00fczel d\u00fcnyay\u0131 ya\u015fanabilir bir gezegen haline getirmekte ar\u0131yor. Bundan dolay\u0131, ger\u00e7e\u011fi oldu\u011fu gibi kabul etmemek i\u00e7in her \u015fiirini rak\u0131 ile \u0131slat\u0131yor. Cahit S\u0131tk\u0131 Taranc\u0131’n\u0131n yapt\u0131\u011f\u0131 gibi. Rak\u0131 onun \u201cg\u00fcnl\u00fck dil\u201dinin kemi\u011fini k\u0131r\u0131yor. Bamba\u015fka bir atmosfere giriyor ve oradan bize sesleniyor.<\/p>\n\n\n\n

Tiksindi\u011fimiz iktidarlar, g\u00fc\u00e7ler, insan ad\u0131na lay\u0131k olmayan varl\u0131klar yan\u0131nda, sevmeye, tad\u0131na doyamad\u0131\u011f\u0131m\u0131z insanlar, g\u00fczellikler, mutlu anlar da var. Hasan H\u00fcseyin, hayat\u0131m\u0131z\u0131n bu g\u00fczel taraf\u0131n\u0131n tad\u0131n\u0131 \u00e7\u0131karm\u0131\u015f olmal\u0131 ki arkas\u0131nda b\u0131rakt\u0131\u011f\u0131 kalplerin \u00fcz\u00fcnt\u00fcs\u00fc o derece b\u00fcy\u00fck. O, okunmas\u0131na doyum olmayan nadir kitap H\u00dcZ\u00dcN KAYDI
bunun ispat\u0131.<\/p>\n\n\n

\n
\"\"<\/figure><\/div>\n\n\n

\u201c\u00f6l\u00fcnce anl\u0131yorum yataks\u0131z \u00f6lmeli
insan\u2026\u201d diyor.<\/p>\n\n\n\n

Hatta \u201c\u0130nme indi b\u00fct\u00fcn kelimelere\u201d \u015fiirinin sonunda:<\/p>\n\n\n\n

D\u00fc\u015f\u00fcn\u00fcverin,
al\u0131nm\u0131\u015f \u00f6l\u00fcm raporunuz
bir morgda yatmaktas\u0131n\u0131z
Ne olur susun\u2026. diyor.<\/p>\n\n\n\n

\u015eairler geleceklerini sezerler zaten. \u0130kinci \u015fiir kitab\u0131, birincisinden daha zor, daha katmanl\u0131, g\u00fczelli\u011fi daha gizli, daha karanl\u0131k, daha felsefi. Yu\u011f ise, karmakar\u0131\u015f\u0131k psikolojik haller ve ya\u015fananlardan hayat felsefesiyle y\u00fckl\u00fc d\u00fc\u015f\u00fcncelerle okur beynini yerden yere \u00e7arp\u0131yor\u2026 Hasan H\u00fcseyin, \u201cHaziran\u0131n Zor \u00d6l\u00fcmleri\u201dnde oldu\u011fu gibi klasi\u011fin de\u011ferlerini ve kurallar\u0131n\u0131 terk etmiyor. Ki Belki ve Anne Babam Hi\u00e7 Duda\u011f\u0131ndan \u00d6pt\u00fc m\u00fc Seni, ba\u015fl\u0131ba\u015f\u0131na bir yeni bulu\u015f, bir yeni \u015fiir.<\/p>\n\n\n\n

Ana Ben Ozan Oldum hayat hik\u00e2yesinde Hasan
H\u00fcseyin \u015f\u00f6yle diyor: <\/p>\n\n\n\n

\u201c\u0130nsanl\u0131k teknoloji alametine bindirilmi\u015f bi k\u0131yamete do\u011fru h\u0131zla yol al\u0131yordu. Hemen her t\u00fcrl\u00fc sanat ve edebiyat sermayenin ve belirli \u00e7evrelerin be\u011fenilerinin etkisi alt\u0131na girmi\u015f ya da girdirilmi\u015fti. \u0130nsan\u0131 insan yapt\u0131\u011f\u0131 s\u00f6ylenen
de\u011ferlerin nerdeyse tamam\u0131n\u0131n i\u00e7i bo\u015falt\u0131l\u0131yordu\u2026 G\u00f6z\u00fcm\u00fcz\u00fcn \u00f6n\u00fcnde olup bitiyordu hepsi. G\u00f6rselli\u011fin ac\u0131mas\u0131zl\u0131\u011f\u0131 alt\u0131nda, elinde kalem, beton kaplam\u0131\u015f yaz\u0131y\u0131 de\u015fiyordu o be\u011feni merkezleriyle ili\u015fkiye girmemi\u015f birileri. Kendi \u015fiirlerinde, kendi \u00f6yk\u00fclerinde, kendi romanlar\u0131nda vb. kavrulup duruyorlar, kalemleriyle dinozor yakalasalar dahi \u00e7al\u0131\u015fmalar\u0131n\u0131 g\u00fcn y\u00fcz\u00fcne \u00e7\u0131karam\u0131yorlard\u0131\u2026 nitelik ikinci plandayd\u0131 art\u0131k\u2026 Aslolan o insans\u0131z d\u00fczenle kurulmu\u015f ili\u015fki bi\u00e7imleriydi.\u201d<\/p>\n\n\n\n

Hasan H\u00fcseyin G\u00fcnd\u00fczalp, d\u00fcnyan\u0131n di\u011fer \u00e7ok do\u011furgan \u00fclkelerinde de oldu\u011fu gibi, \u00fclkemizde da\u011flardan ve k\u00f6ylerden \u015fehirlere g\u00f6\u00e7 eden insanlar\u0131n, \u201c\u015fehirli vatanda\u015f\u201d (B\u00fcrger\/ citoyen) olma yerine, \u015fehirleri k\u00f6yle\u015ftirdikleri ve orada k\u00f6yl\u00fc olarak ya\u015fay\u0131p kald\u0131klar\u0131 bir devirde, do\u011fdu\u011fu kayna\u011fa, do\u011faya d\u00f6ner, dil ve insan olarak, asl\u0131na sad\u0131k kal\u0131r. Ankara- \u0130stanbul gibi kentlere \u201cG\u00f6\u00e7 bozgunu kentler\u201d der.<\/p>\n\n\n\n

\u00d6te Git \u0130stanbul \u00d6te \u015fiirinde:<\/p>\n\n\n\n

Usta\u2026 usta\u2026 N\u00e2z\u0131m usta\u2026
ald\u0131m anam\u0131n r\u0131zas\u0131n\u0131,
\u00e7eksin dedi imzas\u0131n\u0131<\/p>\n\n\n\n

\u0130stanbul\u2019un alt\u0131ndan\u2026. der.<\/p>\n\n\n\n

Fakat gem vuramad\u0131\u011f\u0131m\u0131z beyni, Toros da\u011flar\u0131n\u0131n \u00fcst\u00fcnden evrensel k\u0131ymetlere do\u011fru u\u00e7ar gider. Yabanc\u0131 dil bilmedi\u011finden suyunu \u00e7evrilmi\u015f eserlerden al\u0131r ve yabanc\u0131 dil bilenlerin d\u0131\u015fa a\u00e7\u0131lan pencerelerden \u00e7\u0131k\u0131p gitmeleri yerine, yabandakilerin i\u00e7eriye girmesi i\u00e7in daha b\u00fcy\u00fck pencereler a\u00e7ar. \u015eiirleri ve YU\u011e roman\u0131 i\u015fte onun a\u00e7t\u0131\u011f\u0131 iki penceredir.<\/p>\n\n\n\n

Demediniz!
Kimin var \u00e7ocuklar\u0131na
anlatabilece\u011fi
saf bir hik\u00e2yesi\u2026
Oysa diyebilirdiniz;
yalan\u0131 \u00e7\u0131kar\u0131rsak geriye
ne kal\u0131r senin hikayenden
Demediniz;
Balonlar\u0131n nefesle \u015fi\u015fti\u011fini\u2026
oysa diyebilirdiniz;
patlam\u0131\u015f her balonun i\u00e7inde
bir \u00f6l\u00fc
y\u00fcreky\u00fcz\u00fcn\u00fcn oldu\u011funu\u2026
Demediniz;
ka\u00e7 y\u00fcz kald\u0131 eskitilmedik\u2026
oysa diyebilirdiniz;
y\u00fcz kalmad\u0131 eskitilmedik\u2026
eskittik y\u00fcze dair ne varsa\u2026<\/p>\n\n\n\n

Eskidi yery\u00fcz\u00fc\u2026
Yery\u00fcz\u00fcnde eskidi y\u00fcz\u00fcm\u00fcz\u2026
Eskidi g\u00f6ky\u00fcz\u00fc\u2026
G\u00f6ky\u00fcz\u00fcnde yitti y\u00fcz\u00fcm\u00fcz\u2026
Y\u00fczs\u00fcz kald\u0131k, y\u00fczs\u00fczle\u015ftik\u2026
y\u00fcze y\u00fcze y\u00fcz arad\u0131k\u2026
y\u00fcz y\u00fcze y\u00fcz arad\u0131k
ya a\u00e7 kalacakt\u0131k y\u00fczmesek\u2026
ya da bo\u011fulacakt\u0131k.<\/p>\n\n\n\n

Bireyleri yalan dolanla ya\u015fayan bir toplum\u2026 Ger\u00e7e\u011fin y\u00fcz\u00fcne bakamayan bireylerden, kendine bile samimi olamayan, \u015fi\u015fmi\u015f, \u015fi\u015firilmi\u015f insanlardan meydana gelmi\u015f, \u00f6l\u00fc ruhlu bir toplum\u2026 \u015eair yery\u00fcz\u00fcnde, g\u00f6ky\u00fcz\u00fcnde temiz bir y\u00fcz ar\u0131yor; Eskimemi\u015f, y\u00fczs\u00fczle\u015fmemi\u015f bir y\u00fcz\u2026 \u0130\u015fte bu, b\u00fct\u00fcn \u00e7irkinlikleri, \u00e7\u00fcr\u00fcm\u00fc\u015fl\u00fc\u011f\u00fc, koku\u015fmu\u015flu\u011fu ve \u00e7irkefli\u011fi dile getiren bu \u015fiirin bir de g\u00fczelli\u011fini g\u00f6relim.<\/p>\n\n\n\n

\u015eiirin i\u00e7eri\u011fi ve yap\u0131s\u0131: \u015eair, i\u00e7inde bulundu\u011fu toplumun \u00e7\u00fcr\u00fcm\u00fc\u015f ve koku\u015fmu\u015flu\u011fundan tiksintisini, \u00e7ok eski, klasik, evrensel \u015fiir ilkeleri ve tekni\u011fi ile k\u0131salt\u0131lm\u0131\u015f ve m\u00fckemmelle\u015ftirilmi\u015f bir b\u00fct\u00fcnl\u00fck i\u00e7inde, haf\u0131zada kalabilecek, ezberlenebilecek \u015fekilde, anadilimizin g\u00fczel taraflar\u0131ndan faydalanarak, ince seslilerin harmonisi, tekrarlar\u0131n vurgusu, bilerek hesaplanm\u0131\u015f uzun ve k\u0131sa \u00f6l\u00e7\u00fcde ak\u0131c\u0131 ritim ve kula\u011fa ho\u015f gelen ayni seslerin ba\u015fka ba\u015fka anlamlar\u0131yla okuyucuyu devaml\u0131 uyan\u0131k tutarak noksans\u0131z bir \u015fiir yapm\u0131\u015f.<\/p>\n\n\n\n

Genel ses uyumu (Sonorit\u00e9): Yazd\u0131\u011f\u0131 \u015fiirleri ezbere bilen Hasan H\u00fcseyin\u2019 den bu \u015fiiri dinlemi\u015f olsayd\u0131k, kulaklar\u0131m\u0131zda ince sesliler ve S-Y ve Z sessizlerin (aliterasyon-asonans) \u00e7\u0131kard\u0131\u011f\u0131 keman sesleriyle, yumu\u015fak bir ahenk ve ritmi ile de (Vivaldi\u2019nin \u201c\u0130klimler\u201dinin ba\u015f\u0131ndaki ilkbahar\u0131n geli\u015fini canland\u0131ran keman seslerinin ritmi gibi) hepimizi mest edecek ve i\u00e7eri\u011fini hi\u00e7 ald\u0131rmayacakt\u0131k. Oysa okuyunca o durmadan tekrarlanan, i’li, \u00dc’l\u00fc, -\u0130Z’li, \u00dcZ’l\u00fc ES’li yumu\u015fak ve al\u00e7ak sesli ahenk, beynimizin anlamlar\u0131 kavrama fonksiyonu neticesi meydana gelen ruh irkilmesi alt\u0131nda unutulup gidiyor.<\/p>\n\n\n\n

\u015eair, \u201cdemediniz , oysa diyebilirdiniz\u201d s\u00f6zc\u00fcklerinin tekrar\u0131 ile hem vurgu hem de ses uyumu yaratarak, okuyucunun veya dinleyenin hem kula\u011f\u0131na hem de beynine, bir \u00e7a\u011flayan su sesi gibi etki ediyor. Ama bizim \u015fairimiz ayr\u0131ca bu tekrarlarla dilimizin o yumu\u015fak ahengini \u00f6n plana \u00e7\u0131kar\u0131yor. (-diniz – diniz sesinden olu\u015fan keman sesi gibi) Aliterasyonlar, asonanslar, paronimler, ince ve kal\u0131n seslilerin alternans\u0131, uzun-k\u0131sa s\u00f6zc\u00fcklerin ustaca yerle\u015ftirilmesinden \u00e7\u0131kan ak\u0131c\u0131 ritim ile de k\u00fc\u00e7\u00fck bir senfoni par\u00e7as\u0131 yarat\u0131yor. Beyni durmadan geren, uyan\u0131k tutan, ayn\u0131 seste, ama de\u011fi\u015fik anlamlar ta\u015f\u0131yan s\u00f6zc\u00fckler, \u015fairin bilerek kurdu\u011fu, \u015fa\u015f\u0131rt\u0131c\u0131 bir beyin tuza\u011f\u0131 olarak, \u015fiire ayr\u0131 bir de\u011fer kat\u0131yor. Bu \u201cy\u00fcze y\u00fcze y\u00fcz arad\u0131k-y\u00fcz y\u00fcze y\u00fcz arad\u0131k\u201d ya da \u201cY\u00fcz kald\u0131 eskitilmedik\u201d, \u201cy\u00fcz kalmad\u0131 eskitilmedik\u201d gibi \u201cY\u00fcz\u201d s\u00f6zc\u00fc\u011f\u00fcn\u00fcn tekrarlar\u0131 ile kurulan i\u00e7 uyum ve (\u201c\u0130lkesizlik-\u0130lkellik\u201d ya da \u201ckap\u0131s\u0131zl\u0131k-kafas\u0131zl\u0131k\u201d) gibi paronim\u201dlerle okuru incitmeden, \u00fcrk\u00fctmeden d\u00fc\u015f\u00fcnceye sevk ediyor.<\/p>\n\n\n\n

Hayat hik\u00e2yesi \u201cAna Ben Ozan Oldum\u201dda, K\u0130 BELK\u0130 \u015fiir kitab\u0131 i\u00e7in \u201cHerkesin \u00e7ok sevdi\u011fi ama dilini kimsenin anlamad\u0131\u011f\u0131 bir destan\u2026\u201d der. Daha da ileri gider, \u201cSonra bakt\u0131m gelece\u011fe yaz\u0131yorum; bir kez daha sevdim hep a\u015fklarda sevdi\u011fim anla\u015f\u0131lmamay\u0131\u201d, ya da Cemre Dergisi ile yapt\u0131\u011f\u0131 s\u00f6yle\u015fide, \u201cTe\u015fekk\u00fcrler Cemreciler\u2026 zamana yazmay\u0131 do\u011frulad\u0131n\u0131z\u2026 Ki Belki zamana yaz\u0131lm\u0131\u015ft\u0131\u2026 Yu\u011f da \u00f6yle\u2026\u201d<\/p>\n\n\n\n

\u201cKi belki, ki belki dedi\u011fimde bitmi\u015fti bu \u015fiir\u201d, ya da yine Cemre ile yapt\u0131\u011f\u0131 s\u00f6yle\u015fide roman\u0131 YU\u011e i\u00e7in s\u00f6yledi\u011fi gibi \u201cHerkes elindekinin ne oldu\u011funu bilmiyordu\u2026 buysa benim ba\u015fard\u0131\u011f\u0131m anlam\u0131na geliyordu\u2026 neyi mi?\u2026 \u015fa\u015f\u0131rtmay\u0131, ezberi ve uyumu bozmay\u0131\u2026\u201d<\/p>\n\n\n\n

<\/p>\n\n\n

\n
\"\"<\/figure><\/div>","protected":false},"excerpt":{"rendered":"

\u201cKi belkiNe mutluluk, ne \u00f6zg\u00fcrl\u00fck, ne seviBir rivayetten ibaret hepsi\u2026\u201d \u201cKi Belki\u201d; tekni\u011fi, dili, kurgusu, i\u00e7eri\u011fi ve g\u00fczelli\u011fi ile yepyeni bir \u015fiir. \u00c7ok i\u015flenmi\u015f, \u00e7ok \u00fczerinde durulmu\u015f, Mallarm\u00e9\u2019in yapt\u0131\u011f\u0131 gibi, b\u00fct\u00fcn fazlal\u0131klar, y\u00fckler at\u0131lm\u0131\u015f, l\u00fczumsuzluklar kald\u0131r\u0131lm\u0131\u015f, m\u00fckemmelle\u015ftirilmi\u015f bir eser. Derin k\u00f6klerden \u00e7\u0131k\u0131p gelen, yeni kavram ve d\u00fc\u015f\u00fcncelerle donanm\u0131\u015f, yer yer de delirtilmi\u015f ve yeni katmanlargetiren […]<\/p>\n","protected":false},"author":2,"featured_media":910,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[40],"tags":[],"_links":{"self":[{"href":"https:\/\/www.yasamsanat.net\/index.php?rest_route=\/wp\/v2\/posts\/907"}],"collection":[{"href":"https:\/\/www.yasamsanat.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yasamsanat.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yasamsanat.net\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yasamsanat.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=907"}],"version-history":[{"count":6,"href":"https:\/\/www.yasamsanat.net\/index.php?rest_route=\/wp\/v2\/posts\/907\/revisions"}],"predecessor-version":[{"id":1401,"href":"https:\/\/www.yasamsanat.net\/index.php?rest_route=\/wp\/v2\/posts\/907\/revisions\/1401"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yasamsanat.net\/index.php?rest_route=\/wp\/v2\/media\/910"}],"wp:attachment":[{"href":"https:\/\/www.yasamsanat.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=907"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yasamsanat.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=907"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yasamsanat.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=907"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}